Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Markus Pernhart
Worthersee mit Loretto und dem Ferlacher Horn

ID: 90469

Markus Pernhart Worthersee mit Loretto und dem Ferlacher Horn
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Markus Pernhart Worthersee mit Loretto und dem Ferlacher Horn


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Markus Pernhart

Markus Pernhart (1824-1871)  Related Paintings of Markus Pernhart :. | Worthersee gegen Sudwesten mit Mittagskogel | Fischerhutte am Worthersee | Maria Worth | Worthersee mit Loretto und dem Ferlacher Horn | Worthersee mit Militarschwimmschule |
Related Artists:
Anna Chamberlain Freeland
1837-1911
Demuth, Charles
American Precisionist Painter, 1883-1935 American painter and illustrator. He was deeply attached to Lancaster, where his family had run a tobacco shop since 1770. Although not a Regionalist, Demuth maintained a strongly localized sense of place, and Lancaster provided him with much of the characteristic subject-matter of both his early and later work. He trained in Philadelphia at the Drexel Institute of Art, Science and Industry (1901-5) and at the Pennsylvania Academy of the Fine Arts (1905-11), where his teachers included Thomas Anshutz, Henry McCarter (1864-1942), Hugh Breckenridge (1870-1937) and William Merritt Chase.
Calvaert, Denys
Flemish, 1540-1619 Flemish painter and draughtsman, active in Italy. In 1556-7 he was inscribed in the registers of the painters' corporation in Antwerp as a pupil of the landscape painter Kerstiaen van Queboorn (1515-78). Calvaert went to Bologna c. 1560, where he was to remain for the rest of his life. There he came under the protection of the influential Bolognini family and entered the workshop of Prospero Fontana the elder. After about two years he left Fontana to work with Lorenzo Sabatini, with whom he collaborated on several pictures, including the Holy Family with the Archangel St Michael (Bologna, S Giacomo Maggiore) and an Assumption (Bologna, Pin. N.). Calvaert's oeuvre is composed almost exclusively of religious works, ranging in size from vast altarpieces to small devotional pictures on copper. This sets him apart from other Netherlandish painters, notably those of the school of Prague, for whom Classical mythology was a constant source of inspiration. His first signed and dated work was Vigilance (1568; Bologna, Pin. N.); thereafter he developed a more original style, as in the Noli me tangere (Bologna, Pin. N.).






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